Monolog Anni Kareninoj Pered Smertjyu

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• This page intentionally left blank • A History of Womens Writing in Russia A History of Womens Writing in Russia offers a comprehensive accountof the lives and works of Russias women writers from the MiddleAges to the present. Based on original and archival research, muchof it never published before, this volume forces a re-examinationof many of the traditionally held assumptions about Russianliterature and womens role in the tradition.

Prologue and Scene I A courtyard of the Novodevichy Monastery outside Moscow. Guards and police officers are goading the people to pray that Boris Godunov will accept the throne. The Duma clerk Shchelkalov comes out and informs the people that Boris refuses to accept it.

In setting about theprocess of reintegrating women writers into the history of Russianliterature, contributors have addressed the often surprisingcontexts within which womens writing has been produced.Chapters reveal a flourishing literary tradition where none wasthought to exist, they redraw the map defining Russias literaryperiods, they look at how Russias women writers articulated theirown experience, and they reassess their relationship to thedominant male tradition. The volume is supported by extensivereference features including a bibliography and guide to writersand their works. A D E L E M A R I E B A R K E R is Professor of Russian and SlavicLanguages and Comparative Cultural and Literary Studies at theUniversity of Arizona.

She is the author of The Mother Syndrome inthe Russian Folk Imagination (1986) and co-author of Dialogues/Dialogi:Literary and Cultural Exchanges between (ex-) Soviet and American Women(1994). She is the editor of Consuming Russia: Popular Culture, Sex, andSociety since Gorbachev (1999). J E H A N N E M G H E I T H is Associate Professor of Slavic andWomens Studies at Duke University. She is the editor, withBarbara Norton, of An Improper Profession: Women, Gender, andJournalism in Late Imperial Russia (2001).

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