Avant-garde theorist and architect Bernard Tschumi is equally well known for his writing and his practice. Architecture and Disjunction, which brings together Tschumi's essays from 1975 to 1990, is a lucid and provocative analysis of many of the key issues that have engaged architectural discourse over the past two decades -- from deconstructive theory to recent concerns with the notions of event and program. The essays develop different themes in contemporary theory as they relate to the actual making of architecture, attempting to realign the discipline with a new world culture characterized by both discontinuity and heterogeneity. Included are a number of seminal essays that incited broad attention when they first appeared in magazines and journals, as well as more recent and topical texts. Tschumi's discourse has always been considered radical and disturbing. He opposes modernist ideology and postmodern nostalgia since both impose restrictive criteria on what may be deemed 'legitimate' cultural conditions. He argues for focusing on our immediate cultural situation, which is distinguished by a new postindustrial 'unhomeliness' reflected in the ad hoc erection of buildings with multipurpose programs.

Bernard Tschumi is an architect, writer, and educator, commonly associated with deconstructivism. Henri Lefebvre on Space: Architecture, Urban Research, and the Production of Theory / Lukasz Stanek.Lukasz Stanek - 2011 - University of Minnesota Press.

The condition of New York and the chaos of Tokyo are thus perceived as legitimate urban forms. The essays: The Architectural Paradox.

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Dean of Columbia School of Architecture in New York, Bernard Tschumi has been known since the 1970s as one of architecture's most radical theoreticians and designers, seeking to expand the domain of architectural thinking to embrace ideas from philosophy, psychoanalysis, semiotics, film, literary theory, and art criticism. This book reproduces the most important of his wri Dean of Columbia School of Architecture in New York, Bernard Tschumi has been known since the 1970s as one of architecture's most radical theoreticians and designers, seeking to expand the domain of architectural thinking to embrace ideas from philosophy, psychoanalysis, semiotics, film, literary theory, and art criticism. This book reproduces the most important of his written work over the past 15 years, focused around the concept of space as the common denominator within cities, architecture and social structures.